Focusing

This was a very busy and rewarding week - almost two weeks actually.

I've decided that a blog post each and every week is too much so I have geared down to twice a month. This way it gives me more time to finish things and possibly have something to say!

One of the 6 white canvases has turned into a vase of flowers.  It started out as an abstract but morphed along the way.  I'm thinking the deep freeze we have been in here this winter must have something to do with it.  Two more 8" x 8" canvases have been started - it would be nice to have three similar ones to be a little series but I won't know until I get going which direction they will take.  I am hoping for more vases with flowers!

This week also been a crocheting and knitting time. It all started with a friend wanting me to teach her how to crochet an infinity scarf.  I now have completed two of these scarves in different patterns and colours.  Turquoise for one; chartreuse for the other!  Next on the go is a knitted dish cloth - why I'm doing this is a mystery - the yarn just called out to me in the store!

I also read Neil Young's autobiography "Waging Heavy Peace" - an exceptionally good read!

So the next two weeks I will be on a mission to focus on more vase with flowers paintings with the goal of keeping my head in 'series' mode and not flying off in all kinds of other directions!

Organic Collagraphs

I am calling these plates 'organic' collagraphs as they have been constructed using dried plant material. The first two, the hydrangeas and leaves, are also on organza glued to matcard. I found the organza very difficult to work with. The first time I tried rubbing the ink on with a piece of material and the second time I tried brushing it on. Neither method worked very well. The dried hydrangeas were quite flat until I tried to stick them to the plate with gel medium and matte medium at which time they decided to plump up, making them thick again. They went through the press just fine but the amount of glue needed to make them stay down then seeps out around the edges making for a sloppy looking print.

The gingko leaves were better but the stems needed a lot of glue to stay flat and the ink didn't stay on the glue resulting in the white edges which looks too messy for me. The corrugated cardboard also had the same effect.

Out of the four attempts I think I will re-work the two gingko ones with oil pastel and see what happens. The other two will get ripped up for collage material.

All being said, I won't try that method again but will attempt making a cast of the fresh flowers and leaves next time in modelling paste or plaster of paris and applying that to the plate, which will also be masonite instead of matcard as it is much sturdier.

Not a wasted effort - nothing ventured, nothing gained!